What We Left Behind

A look at the new Deep Space Nine documentary!

 

Before I jump into the review of the documentary let me preface this thing with a little note about my interest in the subject. I LOVE Star Trek, and Deep Space Nine is my favourite of the series. I even announced this before asking a question at the Deep Space Nine 25th Anniversary talk at Destination Star Trek in Birmingham. It had rich story arcs and character development that just doesn’t exist in any other iteration of the franchise. Recurring characters have way more character development than any of the series regulars from any of the other Star Trek series. But enough about that – let’s jump into the review. I’m going to try to keep this a spoiler-free review, because there are moments in the documentary that need to be seen for the first time spoiler-free.

 

I was lucky enough to attend the world premiere of What We Left Behind in Birmingham at the NEC on October 20th 2018. Seeing this documentary in a packed auditorium with an audience that included many of the participants of the documentary was truly an amazing experience. The first opening of the documentary really throws you into some of the amazing restorative work they did for the documentary. As awe inspiring as it was seeing a space battle sequence fully restored in glorious HD, it was also slightly bittersweet because I immediately started thinking about how all the HD footage in the documentary will probably end up being the only HD footage of Deep Space Nine that will be released. Anyway, I digress, that may happen a few times so I apologise in advance.

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Matt Dykes
Matt is a huge film and TV buff who studied film and moving image production at university. In his spare time he enjoys reading comics and books, the occasional gaming session and writing novels.

Wasteland Weekend

“Where must we go, we who wander this wasteland, in search of our better selves…”

 

Wasteland Weekend is a 5-day fully immersive post-apocalyptic festival in the middle of the Mojave Desert. For about $200 a ticket, it’s like a mix of a Renfaire and Burning Man but completely themed for Mad Max, Fallout, and other post-apocalyptic fandoms. There are no spectators. Everyone is required to be fully costumed to be in theme for the entire event. Wasteland offers attendees a little bit of everything: live concerts, burlesque and drag shows, fire spinning, a free bar run on donations, a rugby-like game called Jugger, the Thunderdome, Mad Max-style cars, a casino, bounty hunting, a Bartertown of vendors, a post office, a swimsuit contest on the deck of the Waterworld Exxon Valdez, and too much more to keep listing! There are many official events, but there are so many more events run by tribes in the community. While Wasteland is essentially a party, for many it is a place where we can truly be ourselves or be our better self.

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Amanda Lawson

+4 redhead bonus for all saving throws.

Strange Bedfellows: Esther Perel and Nicole Byer

A tremendously honest and valuable lesson from two great podcasts.

 

In the last month, I have binge-listened to two fascinating relationship podcasts: “Where Should We Begin?” hosted by psychologist Esther Perel, and “Why Won’t You Date Me?” hosted by Nicole Byer.

 

The first plays edited versions of real-life couples counseling sessions with Perel and her actual patients. She occasionally breaks through the dialogue to explain her methods, and it is a raw and beautiful look at people trying to better understand themselves and one-another. Episodes would often bring me to tears on my morning commute.

 

The latter is a comedian the host of Netflix’s Nailed It bringing her comedian friends, former flames, and other entertainers on to discuss her dating life, review her Tinder profile, and share their own relationship struggles. I have never laughed so hard.

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Samantha Garrison belongs to a Saint Bernard named Laddi, so her life is an endless stream of drool. She believes in Ewoks, the true saviors of the galaxy far far away, Tilda Swinton, and a world without Jurassic Park sequels.

The Complex History of the Chosen One

Emily Blake explains why being picked by destiny is an inferior story choice.

 

I don’t believe in destiny or soul mates or any kind of predetermined fate of any kind. I’m willing to accept that maybe the force is real. Maybe karma. But free will is my jam, so movies about “The Chosen One” are always a bit problematic in my mind. Here’s a person who never earned anything being protected by all the people who are doing the real labor, on the promise that this person will live up to some vague premonition they’ve all decided to risk their lives for. It’s not a great lesson about life, even if it is a nice fantasy to imagine that the Powers That Be have given us someone to save us all with their magical gifts.

 

I love when being The Chosen One is earned. I hate when it’s a birthright. And now, some examples:

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Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.

True Crime: Where’s The Line?

Wrestling with the balance of entertainment value of True Crime vs its insight.

 

The true part of true crime always gives me pause. It’s not that I am distrustful of documentarians, reporters, or even murder enthusiasts on podcasts. But engaging with true crime content makes me uneasy in the same way I felt nervous as a child when I did something I knew was wrong. For all the commentary these pieces offer, for all the new perspectives they provide or questions they raise about the quality of our justice system, these programs are first and foremost always about engaging an audience. To call them entertainment might seem crass, but therein lies the rub. True crime series and documentaries are inherently voyeuristic and thrilling. There is entertainment to be gained from real human suffering, and while we might learn something, it becomes a hard balance to reconcile.

 

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Samantha Garrison belongs to a Saint Bernard named Laddi, so her life is an endless stream of drool. She believes in Ewoks, the true saviors of the galaxy far far away, Tilda Swinton, and a world without Jurassic Park sequels.

The Racism We Don’t Notice

How BlackkKlansmen Made Me Rethink My Own Racial Bias.

 

White people in America have a weird binary view of racism. If you say the N-word, you’re racist. If you don’t, you’re in the clear. But racism doesn’t begin and end with that word. There are a thousand ways white people contribute to a racially charged atmosphere that we may not even realize, even if we have the best of intentions.

 

Since watching BlackkKlansman, I’ve been thinking about some of my own ingrained prejudices. I’ve always had this sort of “Ugh” attitude toward Spike Lee. Didn’t know why, just never really liked him. And when I went to see BlackkKlansman, I started to wonder what the source of my dislike was. That’s when I realized that my parents constantly bashed him when I was a kid. That’s it. That’s the only reason. He is a black man who tells stories about the black experience and racism and it made my parents uncomfortable, so they talked about how much they disliked him. So I disliked him too, even if I didn’t understand why.

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Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.

San Diego Comic Con 2018: A Tale of Many Steps

Emily recaps her favorite week of the year!

 

I’m a little late on this post. I had the bright idea to move three days after Con ended, so after 10 days straight of walking a billion steps and being socially active and then packing and picking up heavy things and then cleaning, I passed out in my new bathtub and soaked there until I woke up and realized I’d put off my recap for way too long.

 

So here it is, my rundown of San Diego Comic Con 2018, a distant memory now, of the time before the great migration to New Apartment. But I like to share my five-day journey for all the people who couldn’t be there, or for anyone who wants to relive the greatest week of the year.

 

Before you read this, know that I had plantar fasciitis the entire time. I walked like, 20,000 steps a day while sort of pretending everything was totally fine. It was not fine, and eventually my foot just fell off, but I kept walking. Heroic? Maybe. Painful? Definitely. Worth it? Present Me will say yes and let Future Me deal with the long-term consequences.

 

If you learn nothing else from this article, you should take my advice on two points: 1) Do not move the week after Comic Con and 2) Don’t have plantar fasciitis the week of con.

 

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Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.

When Gossip Is A Virtue

Time to give gossip the credit it deserves!

 

In the same way that most the fine folks here at After the Hype consume comic books and graphic novels, I devour celebrity gossip. No, I’m not talking about misogynistic trash like TMZ, I’m talking about the groups of women who have been writing under the guise of fashion, fame, and who’s dating whom as a means of sharing information and dissecting popular culture. This used to be my guilty pleasure, but in the wake of #MeToo and #TimesUp, in which whisper networks fueled by entertainment rumours and musing grew to a shout, gossip is finally getting the credit it deserves.

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Samantha Garrison belongs to a Saint Bernard named Laddi, so her life is an endless stream of drool. She believes in Ewoks, the true saviors of the galaxy far far away, Tilda Swinton, and a world without Jurassic Park sequels.

Frisky Dingo: The Best Show You Never Watched

If I were to say to you, “People let me tell you about my new best friend, BARNABY JONES!” How would you reply?

 

Most of you would look at me oddly and move on with your lives.  A very small number of people would scream NAP at me.  These people are my people.  They get me.  These are people who have spent the 4 hours experiencing one of my all time favorite shows of all time Frisky Dingo.  Frisky Dingo is a show from 2006 that was canceled after it’s second season, and really no one cared.  I was right there the whole time, loving every second of it, and was truly heart broken when it went away.  I’m going to explain why you should start up your Hulu account right now and dive into the this wonderful show as soon as humanly possible, and take a few guesses at why it went the way of Ronnie under a huge pair of pants.

 

bye Ronnie…

 

LET’S DO THIS!

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Bryan is the Host and Producer of After the Hype. He loves talking. About everything. But mostly Teenage Mutant Ninja Turtles, Power Rangers, and Batman.
 
He also lives in Los Angeles and works in TV Post Production

Diversity in Pop Culture is What Will Save Us

It’s time to invest in stories from different perspectives!

 

A few months ago, I sat on a fan filmmaking panel at a small fan convention. I proposed the panel and moderated it. The other panelists were a young man/woman filmmaking team who regularly produced content, and an older white man who had made one fan film in the ‘80s. The other woman and I offered the most practical advice, and ended up doing most of the talking (this was a situation where the moderator is one of the panelists, not an outside interviewer), and providing what I feel is a pretty valuable list of advice to new filmmakers interested in making fan films.

 

Yet when the door opened and the young convention volunteer came in to tell us we had five minutes left, he looked at the old white guy and waited for his approval. I kept nodding at him, then waved at him, then finally had to verbally interrupt a point the other woman was making to say THANK YOU to the volunteer before he realized that I was leading the panel and I got his message. It had never occurred to him that the only old white man on the stage was not in charge of the panel.

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Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.