Stepping Through the Wormhole: 25 Years of Stargate: Part 1

UNLOCKING THE GATE – THE ORIGINAL FEATURE FILM

In October of 1994, Stargate hit the cinema screens and became a surprise hit. Critics were not kind to the Roland Emmerich-directed epic adventure, but it struck a chord with audiences with it’s stunning photography and intriguing story. It launched a franchise that has become one of the most popular Science Fiction franchises of all time. A franchise that consists of: 3 films, 3 live action series, 1 animated series and, most recently, a 10 part mini-sode series. Not to mention the various games and books that were released. But we will get to all that in time; first we need to go back to the beginning, to where it all started….The 1994 feature film.

I should probably preface this part of the article with a small statement; it may seem like I am being harsh against the feature film but that is only because of everything that came after. The film started it all and without it we wouldn’t have got SG1 or anything else, however, for me the film just doesn’t hold up in comparison to the series.

Continue reading Stepping Through the Wormhole: 25 Years of Stargate: Part 1

The Other Voices: Girlfight

I was a very angry kid who got into a lot of fights in school. I went to a school full of nerds – and I was one of them – so fights weren’t going to lead to hospital visits and they were very short, but I had such a short fuse that I would just go off on whatever kid pissed me off that day. I really, really wanted to take martial arts. I finally did learn to kickbox with a trainer as an adult, but had to stop because of an injury. I’ve watched a lot of boxing and MMA ever since. So GIRLFIGHT has long been on my list of films I should have seen by now. Good thing I have a column that makes me watch movies directed by women and POC.

Continue reading The Other Voices: Girlfight

Social Commentary In Entertainment: The 30th Anniversary of Alien Nation

I’m going to pretend for just one minute that I didn’t start watching Alien Nation because the main character’s name is shockingly close to my own. I didn’t see an advert for it on the Sci-Fi Channel at the age of 13 and hear “Detective Matt Sikes” and think to myself, “That’s almost my name! I have to watch this show.” No- it was the incredible social commentary that drew me in, the social commentary that was entirely absent from the advertisement. The truth was, 13-year-old Matt Dykes heard Detective Matt Sikes and saw an action-packed cop-show advert that happened to have aliens in it and wanted to watch the show. But you know what? I am so glad I saw that advert because when I was able to sit down and watch Alien Nation, I was blown away by the series. It wasn’t long before I was recording them on video. Once the DVDs were finally released in the UK, my pre-order was placed immediately. I am not exaggerating when I say that I have watched all 22 episodes of the series close to 30 times over the last 18 years. What is it about the series that drew me in, apart from sharing a very similar name to the main character? The answer really is this: everything. The characters, the setting, the stories, the music, everything about the series. It was interesting, it was different and it had something to say.

Continue reading Social Commentary In Entertainment: The 30th Anniversary of Alien Nation

The Other Voices: Eve’s Bayou

EVE’S BAYOU, the feature directorial debut from actress Kasi Lemmons, had a $6M budget and an entirely black cast. There are zero white people in this film – not even wandering by in the background – which seems like a pretty amazing feat for 1997 and an unknown director. At the time (and unfortunately for many years to come), conventional wisdom was that dramas strictly about black people simply couldn’t bring in audiences, but EVE’S BAYOU made almost $15M worldwide – more than double its budget – and is a critically loved film that people still talk about today. It’s number 99 on the highest grossing films of 1997, which may sound like a little number, but let’s put that in context. It came out the same year as TITANIC. And MEN IN BLACK. And GROSSE POINTE BLANK. Ok GROSSE POINTE BLANK didn’t do Titanic numbers (nobody did) but it’s a great movie and I’m not going to just skip over it.

Continue reading The Other Voices: Eve’s Bayou

The Other Voices: The Kids Are Alright

Sexuality is a spectrum. You can be homosexual or heterosexual, bisexual or pansexual, heteroflexible, homoflexible…. That’s your business. And there are subsets of sexuality that describe HOW you feel attraction, not just who you’re attracted to: megasexual, demisexual, asexual, graysexual…. The list goes on. Some people choose not to identify at all, but all of these identities are valid, and sometimes fluid as we grow and change throughout our lives.

In the last couple of years since I became polyamorous, I’ve become more and more interested in the wide spectrum of sexuality and relationship styles, which is why my partner recently recommended I watch the 2010 film directed and written by Lisa Cholodenko, THE KIDS ARE ALL RIGHT.

Continue reading The Other Voices: The Kids Are Alright

Petition This!

I remember a time when a film was released, people watched them. And if they didn’t enjoy them or they didn’t like them, they might have gotten annoyed about it or they maybe complained to their friends about how shit it was. Now people seem to think that if they don’t enjoy a film or TV series, they have a right to petition the makers to go back and remake it to how they want it. I, for one, am sick of it.

Continue reading Petition This!

The Other Voices: Twilight

Until this week, I had never seen TWILIGHT, so as it is one of the biggest box office hits of all time to have a female director, I decided to give it a go for this column. According to Box Office Mojo, it had a production budget of $37M and it made a global $393,616,788 in theaters, which demonstrated to Hollywood that yes, teenage girls do like to go see movies, so you should make more stuff for them. That discovery eventually brought us THE HUNGER GAMES, so for that, I am grateful.

Continue reading The Other Voices: Twilight

I Demand Satisfaction

OR: HOW I LEARNED MY ANGER IS JUSTIFIED.

We have written a few articles on this site about fandom, nerddom and the like, but I feel that we often spend the majority of the time condemning fans for wanting things they love to match their expectations- without ever really trying to think about things from their side.  

I’m going to do something out of character: I’m going to try to see how I’ve been wrong and dive into why the angry fanboy is right- even if what they do with their anger is wrong. No matter how much you hate any piece of media, you can trust that people (not all of them, sure) poured their blood sweat and tears into it and any personal attacks are not only a waste of time, but outright cruel.  To do this, I’m going to be looking at some recent films and TV shows and spoil the hell out of them, so be warned….

Continue reading I Demand Satisfaction

The Other Voices: Short Term 12

2013’s SHORT TERM 12 is a film student’s dream come true. It started life as a 21-minute short film in 2008 – available on Itunes for $2.99 – and became an indie feature with a cast that immediately blew up like crazy. The feature’s got Brie Larson, Rami Malek, Stephanie Beatriz, and LaKeith Stanfield (who was also in the short film) – all of whom were relative unknowns at the time.

So let’s give a shoutout to the casting department, because you should never underestimate their importance: Kerry Barden, Rich Delia, and Paul Schnee. Casting is always important, but in a film where the story is carried not by a MacGuffin or some attainable goal, it’s absolutely vital to have the best actors possible on board, since their choices will carry a lot of the weight of your film. These casting agents nailed it.

Continue reading The Other Voices: Short Term 12

The Other Voices: Monsoon Wedding

2001’s MONSOON WEDDING was an international co-production. Writer Sabrina Dahwan wrote it while she completed her MFA at Columbia in the States, it takes place in New Delhi, and the dialogue is a blend of English and Hindi. It was produced by IFC films with a budget of $7M, and released by Focus Features, to a successful worldwide gross of over $30M. It was nominated and won a lot of awards, and has been released as part of the Criterion Collection. It’s also been turned into a stage musical.

Here’s the trailer:

Continue reading The Other Voices: Monsoon Wedding