I remember a time when a film was released, people watched them. And if they didn’t enjoy them or they didn’t like them, they might have gotten annoyed about it or they maybe complained to their friends about how shit it was. Now people seem to think that if they don’t enjoy a film or TV series, they have a right to petition the makers to go back and remake it to how they want it. I, for one, am sick of it.Continue reading Petition This!
Clothes, open-mouth chewers, crazy siblings, and fandoms find their way into Middle Earth this week!
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Bradley David Parsons
We need to take a step back and look at why we love the things we love.
This past weekend, I watched Hannah Gadsby’s comedy special, “Nanette,” on Netflix. It was a revelation. Or perhaps it’s more accurate to say her words confirmed and shaped some things that had been percolating at the edges of my subconscious for the last several years. In the special, which you should absolutely watch if you have not yet, Gadsby talks about why she is quitting comedy, how jokes are only two parts — setup and punchline — and not a whole story. Essentially, she says comedians create tensions through their setups so that the punchlines can break it, and she no longer wants to create tension. She wishes to instead create connection. Rather than use comedy to obfuscate her painful past, she tells the rest of the stories that inspired her funniest bits, and the humor goes away, but something so much deeper remains.
This week, I had meant to write about why I have quit consuming and engaging with so much of nerd culture in recent years. And while I cannot make quite so eloquent a connection as Hannah Gadsby with the two parts versus a whole story metaphor, I can say that I think it’s to do with how mistaking engaging with pop culture the same as engaging with and influencing our communities.