A Dark, Violent and delightful surprise, with a kickin’ score!
I hadn’t been in Los Angeles all that long, really. Wasn’t acclimated to the temperature, and still thought sixty degrees was “warm.” In-n-Out was a novelty for me, and so were all the movie theater options available (you mean I can go to the theater Tarantino owns whenever I want??).
Joe Wright as a director was on my radar, but I had only seen his Pride and Prejudice, which I thought “was fine.” Both Atonement and The Soloist were a skip for me based on the marketing, which made the trailer for Hanna a bit of a surprise when I saw it.
It was a gory, three-course meal with complicated start and a ravishing finish.
My favorite television show of all time is Hannibal, the surprising NBC adaptation of Thomas Harris’ Red Dragon. The show focused on FBI Special Investigator Will Graham and his relationship to Psychiatrist Dr. Hannibal Lecter, a relationship that the internet would lovingly dub “murder husbands.”
As someone who enjoyed Jonathan Demme’s Silence of the Lambs, found an amusing appreciation for Ridley Scott’s Hannibal, and found himself bored by Brett Ratner’s Red Dragon, I was interested to see how NBC (of all channels) was going to take a stab at the polite cannibal.
Raimi’s Spider-Man was a revelation, and it’s hype was an unforgettable event!
When I was a kid, live-action superhero movies were limited to a series of Batmen with costumes so stiff that they couldn’t turn their heads. Aside from an obscure Captain America VHS tape that I could rent from the local gas station, Marvel – my chosen comics company – was completely absent from the field.
Bryan Singer’s first X-Men film was a revelation. I hopped up-and-down on my way out of the theater as I explained to my father why Toad’s immortal line “Don’t you people ever die?!” was a perfect summation of the genre.
Much like Jason Bourne, the X-Men were just the tip of the iceberg. Two years later, the most highly-anticipated cinematic event of all time was unveiled: Spider-Man.
Elliot Campos (@elliotscampos) is a writer living in Los Angeles. He writes, directs and edits the Beyond School audio-play and previously co-hosted the Superhero Sampler podcast. Both shows are available on iTunes.