Tag Archives: ATH Network

Scarlett Johansson: Rough Night (2017)

A new month means a new subject for our retrospective series, and this month we’ve chosen ScarJo. That’s right. We’re following the varied career of Scarlett Johansson. First film on the docket: Rough Night, a movie that tests her comedic acumen and finds her wanting. It’s not like her performance is bad, it’s just that she has nothing to do and doesn’t have any moments that really push her to do anything anyone in the world would consider funny. We had a rough time with Rough Night, folks.


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Corona Cartoons: Rick and Morty

Bryan pulled a real Rusty Venture and lost all the audio to pt. 2 of Clerks… HOWEVER We have a super fun episode on a show we never thought we would talk about, Rick & Morty! Emily Blake picked 3 episodes for Bryan and Chewie to scratch the surface of this animated juggernaut!


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Dede Allen: The Final Cut (2004)

We wrap up our month of Dede Allen with a bit of a flop, and for that Jon apologizes. We’re talking The Final Cut, starring Robin Williams, Jim Caviezel, and Mira Sorvino. You would think based off the talent alone that we were in for a treat, but you would be mistaken. The movie is more interested in raising questions than answering them, and after awhile it becomes painfully tedious. Production design is sound, and of course Dede Allen edits the hell out of it.

Bryan and Chewie also discuss 1991’s The Adams Family, which ended up being way more entertaining and featured some really fun editing.


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Corona Cartoons: Clerks Animated Series Pt. 1

The Corona Virus means that we can’t record our Venture Bros wrap up, which in turn means we can’t quite get to our Frisky Dingo watch-through. Bummer, right? Well, not anymore, because we’re making lemonade out of a virus and doing a series about a bunch of different cartoons while we wait for this whole mess to blow over. We’re starting our “Corona Cartoons” with the Clerks animated series. Well, the first half at least.


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Dede Allen: The Wiz (1978)

This week in our Dede Allen retrospective we take a sharp left turn from the tense crime dramas of Bonnie and Clyde and Dog Day Afternoon to the leisurely paced stage musical adaptation of The Wiz. It’s quite the shift and the results are…mixed. There’s a lot to like here, from the imaginative sets, to the strong choreography and impressive musical numbers. There’s also a lot that has us scratching our heads like the rough lighting and that unbearably slow dance number in the middle just before meeting the Wiz. Join us as we attempt to unpack what worked and what didn’t for us and enjoy a wholly unique and compelling take on The Wizard of Oz.


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Dede Allen: Dog Day Afternoon (1975)

Our month of Dede Allen continues as we dive into the film that earned her an Oscar nomination for her powerful editing – Dog Day Afternoon. There are so many amazing things about this film, from Sidney Lumet’s masterful direction to Al Pacino’s intense performance, but it’s Allen’s pacing that really shines here for us. She takes a movie with relatively low action and raises the stakes by cutting at just the right time, or in some cases not cutting at all. With so many stand out moments, it was tough to pick a favorite.

Jon also had the chance to check out The Missouri Breaks, which caps off this series of movies about criminals nicely, although when the film came out no one was having it. But check it, the film stars Jack Nicholson, Marlon Brando (rocking an Irish accent like whoa), Randy Quaid, Harry Dean Stanton, and features music by John Williams.

Finally, we discuss some fun movies to pair this with and Chewie blows our minds with a startling revelation.


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Dede Allen: Bonnie and Clyde (1967)

This month we shift gears from the wacky antics of Joe Dante to the potent editing prowess of Dede Allen, and what better way to do this than with the 1967 movie Bonnie and Clyde, a masterpiece of editing and style that takes its cues from the French New Wave and gives us a sharp and energetic look at the famous duo. Beatty and Dunaway are absolutely iconic and are joined by a fun ensemble including a young Gene Hackman and a young Gene Wilder.

Friends, we’re in for a treat this coming month!


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Joe Dante: Burying The Ex (2014)

We bring our month of Joe Dante films to a close with probably one of the weaker films in his arsenal: Burying the Ex. Despite the letdown, there’s still a lot to like here. Anton Yelchin, may he rest in peace, brings energy and nuance to a character that’s difficult to love, and Alexandra Daddario and Ashley Greene steal the show with characters that are awesome, three-dimensional, and written well. It’s the little things that bring the movie down like the brother and some awkward plotting and logic. Is it worth the watch? We give you the scoop.

We also discuss Looney Tunes: Back in Action, as well as the “It’s A Good Life” segment out of Twilight Zone: The Movie, both of which are quite fun and really showcase that Dante chaos we’ve come to enjoy through our month of Dante.

What an absolute treat this month has been.


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Joe Dante: Matinee (1993)

This week we talk about a film that no one really saw: Matinee, starring John Goodman as a William Castle / Alfred Hitchcock hybrid who brings his B-movie “Mant!” to a small theater in Key West, Florida during the Cuban Missile Crisis. What ensues is a fun, if a bit subdued, romp through B-movie nostalgia featuring the usual Dante players as well as a fun performance from Cathy Moriarty – who you may or may not know as the villain from Casper (1995). There’s also a greaser who writes poetry who terrorizes the protagonists dressed up as an ant, and Goodman’s monologue about the “first monster movie” provides a wonderful thesis for the film.

Are you ready to Dante?


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Joe Dante: Gremlins 2: The New Batch (1990)

We continue our month of Joe Dante with a look at perhaps one of the zanier films in his filmography – Gremlins 2: The New Batch. There’s so much to love here, from the wonderful puppet design to the brilliant and comedic turn from Christopher Lee. Dante even got Chuck Jones to do the intro to the film, which should tell you everything else you need to know.

We also briefly discuss his film Small Soldiers and get into some of the hype surrounding that film. There’s a lot of discussion packed into this episode so be sure to keep your Mogwai hidden away in a cool, dry place (preferably with Rambo playing on a nearby TV) before settling down to listen to this week’s episode.


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