Tag Archives: Eve Stewart

Eve Stewart: Cats (2019)

We made it to the end of our very enlightening Eve Stewart retrospective and to celebrate we’re discussing the divisive Tom Hooper spectacle Cats. There’s a lot to love in this film, and there’s a lot to hate, and really it boils down to how easy it is for you to get past Rebel Wilson and James Corden’s abysmal performances. Production design here is stellar – big surprise – but Tom Hooper tries his best to focus on other things. Bad Hooper. Bad. All that said, is the film worth watching? Hit that play button and we’ll tell you.


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Eve Stewart: De-Lovely (2004)

Thank you for your patience! This week we’re back to talk about De-Lovely, the next film in our Eve Stewart retrospective. It’s about the musical icon Cole Porter, played with zest by Kevin Kline, as he re-lives the best and worst of his life at the behest of the angel Gabriel (Jonathan Pryce). The film features songs written by Cole Porter, all sung by popular modern musicians. But the question remains: is the film any good?

It’s…charming, but never quite reaches “great.” The real MVP of the film is Eve Stewart and her production design. It’s breathtaking, and quickly overshadows everything else in the film. Join us, won’t you?


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Eve Stewart: A Cure For Wellness (2016)

The next film in our Eve Stewart retrospective is the Gore Verbinski horror thriller A Cure For Wellness, starring Dane DeHaan, Mia Goth, and Jason Isaacs. The film is a clunky mess, suffering from logic problems as well as a problematic third act. What saves it for us is Stewart’s exceptional production design, which gives the film an atmosphere and mood that makes us want to keep watching despite the significant script problems. We go into all of this and more in the episode, so don’t wait another minute to hit that play button on your podcast player of choice.


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Eve Stewart: Nicholas Nickleby (2002)

A new month brings us a new filmmaker and for September we decided to breakdown the lively career of production designer Eve Stewart, starting with 2002’s Nicholas Nickleby, starring Charlie Hunnam, Jamie Bell, and Christopher Plummer. It’s a film that’s exceptionally designed and looks absolutely gorgeous, but that has almost nothing else going for it. The performances are fine, but the tone of the film oscillates so much between farce and prestige period drama that it’s hard to really connect to anything the actors are doing. And don’t get us started about couches being dragged outside of houses for leisure. Did we mention that the film is gorgeous?


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