Every time someone I follow on Twitter watches director Olivia Wilde’s 2019 film BOOKSMART, they immediately rave about it and order everyone who reads their tweet to see it. So I finally saw it. And I agree one hundred percent: SEE IT. It’s even on Hulu right now, so just go watch it. I’m not gonna spoil it, so this article is safe for you to read, but as soon as it’s done, you need to see this film. Or go watch it now and come back after.
OK? OK.
I’m just gonna dive right in by saying that this is one of the best edited films I’ve ever seen. Editor Jamie Gross makes such judicious choices with where to let the story breathe and where to get cheeky. When filmmakers talk about voice – this film has it in spades. Even the music choices keep the momentum going when the story slows down. All this comes together in post – but it can’t happen unless the right shots were filmed on the day. And to that vision, we can credit Wilde and her cinematographer, Jason McCormik.
Continue reading The Other Voices: Booksmart →Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.
