The Other Voices: Eve’s Bayou

EVE’S BAYOU, the feature directorial debut from actress Kasi Lemmons, had a $6M budget and an entirely black cast. There are zero white people in this film – not even wandering by in the background – which seems like a pretty amazing feat for 1997 and an unknown director. At the time (and unfortunately for many years to come), conventional wisdom was that dramas strictly about black people simply couldn’t bring in audiences, but EVE’S BAYOU made almost $15M worldwide – more than double its budget – and is a critically loved film that people still talk about today. It’s number 99 on the highest grossing films of 1997, which may sound like a little number, but let’s put that in context. It came out the same year as TITANIC. And MEN IN BLACK. And GROSSE POINTE BLANK. Ok GROSSE POINTE BLANK didn’t do Titanic numbers (nobody did) but it’s a great movie and I’m not going to just skip over it.

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The Other Voices: The Kids Are Alright

Sexuality is a spectrum. You can be homosexual or heterosexual, bisexual or pansexual, heteroflexible, homoflexible…. That’s your business. And there are subsets of sexuality that describe HOW you feel attraction, not just who you’re attracted to: megasexual, demisexual, asexual, graysexual…. The list goes on. Some people choose not to identify at all, but all of these identities are valid, and sometimes fluid as we grow and change throughout our lives.

In the last couple of years since I became polyamorous, I’ve become more and more interested in the wide spectrum of sexuality and relationship styles, which is why my partner recently recommended I watch the 2010 film directed and written by Lisa Cholodenko, THE KIDS ARE ALL RIGHT.

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Petition This!

I remember a time when a film was released, people watched them. And if they didn’t enjoy them or they didn’t like them, they might have gotten annoyed about it or they maybe complained to their friends about how shit it was. Now people seem to think that if they don’t enjoy a film or TV series, they have a right to petition the makers to go back and remake it to how they want it. I, for one, am sick of it.

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The Other Voices: Twilight

Until this week, I had never seen TWILIGHT, so as it is one of the biggest box office hits of all time to have a female director, I decided to give it a go for this column. According to Box Office Mojo, it had a production budget of $37M and it made a global $393,616,788 in theaters, which demonstrated to Hollywood that yes, teenage girls do like to go see movies, so you should make more stuff for them. That discovery eventually brought us THE HUNGER GAMES, so for that, I am grateful.

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I Demand Satisfaction

OR: HOW I LEARNED MY ANGER IS JUSTIFIED.

We have written a few articles on this site about fandom, nerddom and the like, but I feel that we often spend the majority of the time condemning fans for wanting things they love to match their expectations- without ever really trying to think about things from their side.  

I’m going to do something out of character: I’m going to try to see how I’ve been wrong and dive into why the angry fanboy is right- even if what they do with their anger is wrong. No matter how much you hate any piece of media, you can trust that people (not all of them, sure) poured their blood sweat and tears into it and any personal attacks are not only a waste of time, but outright cruel.  To do this, I’m going to be looking at some recent films and TV shows and spoil the hell out of them, so be warned….

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The Other Voices: Short Term 12

2013’s SHORT TERM 12 is a film student’s dream come true. It started life as a 21-minute short film in 2008 – available on Itunes for $2.99 – and became an indie feature with a cast that immediately blew up like crazy. The feature’s got Brie Larson, Rami Malek, Stephanie Beatriz, and LaKeith Stanfield (who was also in the short film) – all of whom were relative unknowns at the time.

So let’s give a shoutout to the casting department, because you should never underestimate their importance: Kerry Barden, Rich Delia, and Paul Schnee. Casting is always important, but in a film where the story is carried not by a MacGuffin or some attainable goal, it’s absolutely vital to have the best actors possible on board, since their choices will carry a lot of the weight of your film. These casting agents nailed it.

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The Other Voices: Monsoon Wedding

2001’s MONSOON WEDDING was an international co-production. Writer Sabrina Dahwan wrote it while she completed her MFA at Columbia in the States, it takes place in New Delhi, and the dialogue is a blend of English and Hindi. It was produced by IFC films with a budget of $7M, and released by Focus Features, to a successful worldwide gross of over $30M. It was nominated and won a lot of awards, and has been released as part of the Criterion Collection. It’s also been turned into a stage musical.

Here’s the trailer:

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Pop Quiz Hot Shot: The 25th Anniversary of Speed

“There’s a bomb on a bus” -a simple statement, but one that would set the stage for the most exciting bus ride ever committed to celluloid. Not only would Speed be a rip-roaring action thriller that would get your heart racing throughout, it would also launch Keanu Reeves career into the stratosphere and pull him from the shadow of Theodore “Ted” Logan. It would go on to showcase him as a bankable action star. It would also launch Sandra Bullock’s career just as high. A film that would make major movie stars out of it’s two leads is definitely one that will leave a lasting impression, and Speed did just that.

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The Other Voices: Fast Color

I’m a sucker for stories about unrealized potential finally being realized. Any story about someone who thinks they’re not worth anything and then finds out they’re super special – that’s my very favorite kind of story. FAST COLOR is one such story, which is why I’ve chosen to make it my first in my new series on films directed by women and people of color.

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Dancing with the Devil by the Pale Moonlight: Batman 30 Years Later

In a time where superhero movies were not dominating the box office; where the idea of a dark, moody and serious comic book movie was something that people would screw their noses up at, one film managed to break the mold of what we conceived comic book films to be. It showed us that they could be serious and didn’t have to be about extraordinary characters.

But the transition from the pages of comic books to the big screen was not an easy one.

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