Many years ago, when I was a wee film baby, I read the book Robert Rodriguez wrote about making his first feature, EL MARIACHI. It was all about throwing caution to the wind, going for broke, and just making a movie with no money and a lot of moxie. He made this film with essentially no crew, which is why his book is called REBEL WITHOUT A CREW. I was inspired! Not to make a film without a crew, because that is exhausting and ill-advised, but to learn more about filmmaking and the work it requires.
Now, of course, I am film crew, and I’m a little horrified by the idea of making an entire action film with like, 3 crew members. I regularly see young filmmakers who seem to think it some kind of badge of honor to work with a tiny crew, like that makes them better. A filmmaker I knew even tried to tell me that script supervisors are an old-fashioned job that is no longer necessary in a world where you can shoot a movie on an iPhone. I can’t wait to find out how many continuity errors his most recent film has.Continue reading The Other Voices: El Mariachi
Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.