I had no idea what THE BABADOOK would be about when I put it on. The impression I had from the Internet was that it was about a gay dinner guest in a jaunty hat. This was definitely a film where that lack of knowledge was helpful in making me very scared.
THE BABADOOK, an Australian film by Jennifer Kent, is about grief. It’s pretty easy to suss that out, which I like, because I can get really annoyed at films that have this allegory so complex that you need a PhD in Pre-post-colonial literature (an actual class I took in grad school) in order to understand them. Yes, I have a graduate degree in English. I have studied literature. I have been an academic. And I really hate having to use my degree to understand shit. Make your story deep and beautiful and artsy, sure, but make sure that at the end of the day, I can see what the central argument or point of the film actually is. Otherwise, what are we doing here.
Continue reading The Other Voices: The Babadook
Emily Blake writes screenplays with lots of fight scenes. She is a vocal advocate for feminism, polyamory, kink, and sex positivity. She makes most of her money as a script supervisor for film and television, but she also makes cosplays for clients out of her little apartment in Los Angeles.