Episode 40 – The Age of Men

Sam talks about how we can combat toxic masculinity like the Fellowship.

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THEME MUSIC COURTESY
Bradley David Parsons

Episode 26 – Balrog in Space

Due to technical difficulties YET AGAIN, Spanakopita isn’t happening this week on the Venture Bros feed. Apologies in advance. Instead we wanted to introduce our Venture Bros audience to the Sam Wise podcast that has been killing it these some 30-40 weeks. Seriously, the show has answers for everything. Enjoy and we’ll work to get Spanakopita to you next week.

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In Space They Still Can’t Hear You Scream: The 40th Anniversary of Alien

Still seen as one of the most iconic horror films of the modern era, Alien has re-written the book on what a Sci Fi Horror film could be, and in doing so, has launched the careers of several influential people in modern cinema. From its humble beginnings to its worldwide phenomenon- even 40 years after its release, Alien still has the power to terrify audiences to this very day.

The brainchild of writers Dan O’Bannon and Ronald Shusett, the story of how Alien came to be is one of risk and timing. Dan O’Bannon worked on a student film called Dark Star with John Carpenter and it was through this that he got into contact with Ronald Shusett. Shusett had heard about Dark Star from a friend and contacted both O’Bannon and Carpenter. After a phone call with both, he found that he had more of a rapport with O’Bannon and invited him to his house. They both decided that they would like to work together on a project, and Shusett had acquired the rights to the Philip K. Dick short story We Can Remember It for You Wholesale. Meanwhile, O’Bannon had been working on his own script about an alien monster that systematically attacks and kills the crew of a space ship. He had written 29 pages so far and was stuck. Shusett read the initial pages and decided that they should focus on O’Bannon’s script as it would be a cheaper film to shoot.

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Episode #284 – Die Hard

This week on the podcast our pal Matt Dykes came back to the states from across the pond YET AGAIN to talk about one of his favorite movies of all time: Die Hard.

A link image to Stitcher Radio.

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Chapter 15 – Big Trouble In Upper Reach

With all itches scratched, the party decides to make good on a long-standing quest to bring a locket to a gnome painter in the educational district of the city. They enlist the help of Bramran and a reluctant Tris to get them to their destination without any trouble. Unfortunately for tiefling in Trost, trouble is as certain as the storm lord himself.

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Episode 39 – Eomer is the Eoman

A letter writer is having trouble with a difficult family member, and Sam takes ‘em to Rohan. She also tells men to stop putting the boor in Boromir.

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To have your question answered, email sam.wise.ath@gmail.com or call and leave a voicemail at (608)561-2755.


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Samantha: @samijane613
Laddi: @saint_laddi
After the Hype: @athpodcast


THEME MUSIC COURTESY
Bradley David Parsons

5.03: SPHINX Rising

This week on the podcast Bryan Dressel and Nick “Slugabed” Friedemann have lost a co-host and gained another. Matt “Cad” Dykes joins the party while Graham is away. Together, they talk about the next episode of season five: SPHINX Rising. A fun episode, but not without some tension between SPHINX plot and the Monarch plot.

INTRO MUSIC COURTESY
Bradley David Parsons inspired by J.G. Thirlwell

RESEARCH COURTESY
Brok Holliday


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Blood, Grit and Skulls: Garth Ennis’ The Punisher MAX 15 Years Later

Garth Ennis has always been known for more adult comic writing and his series Preacher is a perfect example of this. However, his writing has also always had a sense of humour to it. He had been brought on to re-launch The Punisher with Welcome Back Frank in 2000 and after a successful run under the Marvel Knights imprint, he wanted to try something different. In 2002 Ennis teamed up with Darick Robertson and wrote a proposal for a short run of comics about Frank Castle’s time in Vietnam. This outline would ultimately become The Punisher: Born. This became the framework story for the series, detailing the differences between Castle and another main character in the series, a young Private called Stevie Goodwin.

At this time, the MAX imprint was relatively new. It was created in 2001 when Marvel broke from the Comic Codes Authority to establish their own rating system. The first series in the MAX line was the Jessica Jones Alias series- which served as inspiration for the recent Netflix series. The MAX line allowed artists and writers greater freedom to tackle more adult storylines. It wasn’t just about blood, gore, swearing and nudity- the stories would tackle hard hitting themes such as rape and also give readers the first ever star of their own comic that was openly gay (Rawhide Kid). The MAX imprint was essential for Garth’s Born mini-series. It allowed them the freedom to really drive home the horrors of war. With the success of Born, a new series of The Punisher was greenlit with the first issue premiering in March 2004.

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Episode 5: Trey Johnson of the NintenDomain Podcast

Brok and Trey tackle the problems with video game reviews and if the method should be changed after games are patched.

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